While I personally liked Halloween 3, most audiences at the time did not. They demanded more of the adventures of Michael Meyers, and Hollywood listened. In Halloween 4, Michael has been lying unconscious in a mental asylum for ten years, both Loomis and him barely survived being set ablaze at the end of Halloween 2. While being transferred to Smith's Grove, he awakens and escapes back to Haddonfield where he commences his usual Halloween hunt. This time, he has a new target in his sights: Jamie (Danielle Harris), the daughter of Laurie Strode who is living with a foster family. Can Loomis track him down in time? Will Jamie survive with her sanity intact?
Halloween 4 is definitely better than Halloween 3. The film has an atmosphere that feels reminiscent of the ones in the first 2 Halloween films, and Michael still retains some of his supernatural qualities we are so familiar with. Danielle Harris does a great job as Jamie (for a child actor, she's pretty impressive), and Ellie Cornell holds her own as Rachel, Jamie's foster sister who is tasked with protecting the girl.
Donald Pleasence just about outshines everyone else as Loomis, putting on a superb performance that is on par with his previous outings as the beloved character (He has some scars from his burning in the 2nd film and walks with a limp). As for Sasha Jenson, I started out not really liking his Brady (he's kind of a douche) but by the time he has his quick fight with Michael I had grown to actually quite like his character. I also liked Beau Starr as Sheriff Ben Meeker, who actually acts pretty sensibly throughout the whole film.
Halloween 4 is a little uneven, but it certainly feels like we are watching a Halloween film and the darkness that pervaded the first film is back here (thankfully). It's not as good as the first two Halloween films, but it's certainly better than the third outing. Halloween 4 is the rare 4th-quel that is a worthy predecessor to the previous films and is definitely worth a watch if you are a fan of the franchise. Complete with a pretty cool ending, Halloween 4 makes for good viewing during the haunting season.
4 Stars
Monday, October 3, 2016
Saturday, October 1, 2016
FRIGHT FEST: SMALLS IS SUCKED INTO THE GOTHIC WORLD OF BLACK SUNDAY
In Black Sunday, a traveling doctor and his assistant inadvertently awaken the spirit of a centuries old witch and her lover, who immediately set out for vengeance. The ancestor of the witch, a beautiful princess, is their main target and only the dr.'s assistant may stand in their way.
Black Sunday is an old-fashioned Italian gothic horror film. The dubbing isn't great and there is some silliness on occasion (like the romantic scenes), but everything else in this film is fan-freaking-tastic. The sets are elaborate and lush, the atmosphere is chilling, rich, and all encompassing, and the cinematography is superb. It feels like we are in the middle of a classic, creepy ghost story. Barbara Steele commands the screen with her presence as both the princess and the witch. She oozes sexuality and is indeed breathtakingly beautiful ( She's hot enough to make any sane man join Satan just to be with her). The other actors all do fine jobs, but she is easily the standout.
Black Sunday is also surprisingly gnarly, gruesome and grotesque. There is a good deal of material that made me cringe. I was impressed by just how far the film goes at times. It's not hard at all to see why this film has earned it's classic status. The story may not offer many surprises but the film itself is still creepy, chilling and atmospheric as hell, plus our heroine is super easy on the eyes. Filmed in glorious black and white, Black Sunday is a certified classic that is a must see for any horror buff.
4 STARS
Black Sunday is an old-fashioned Italian gothic horror film. The dubbing isn't great and there is some silliness on occasion (like the romantic scenes), but everything else in this film is fan-freaking-tastic. The sets are elaborate and lush, the atmosphere is chilling, rich, and all encompassing, and the cinematography is superb. It feels like we are in the middle of a classic, creepy ghost story. Barbara Steele commands the screen with her presence as both the princess and the witch. She oozes sexuality and is indeed breathtakingly beautiful ( She's hot enough to make any sane man join Satan just to be with her). The other actors all do fine jobs, but she is easily the standout.
Black Sunday is also surprisingly gnarly, gruesome and grotesque. There is a good deal of material that made me cringe. I was impressed by just how far the film goes at times. It's not hard at all to see why this film has earned it's classic status. The story may not offer many surprises but the film itself is still creepy, chilling and atmospheric as hell, plus our heroine is super easy on the eyes. Filmed in glorious black and white, Black Sunday is a certified classic that is a must see for any horror buff.
4 STARS
Friday, September 30, 2016
FRIGHT FEST: SMALLS IS ENTRANCED BY SUSPIRIA
In Suspiria, many strange events have been occurring surrounding a prestigious ballet academy in Freiburg. It may be up to young, naive American Suzy Bannion (Jessica Harper); a newcomer to the academy, to solve the mystery.
There aren't many twists, turns or surprises in Suspiria (It's fairly easy to predict where it's all going). In fact, I wasn't scared at all. That said, what the film lacks in plot, characters, or scares it more than makes up for in cinematography, lighting, colors (There are constant, bloody reds and some soft, supernatural greens), and atmosphere. If there was ever a film deserving of a 4k remastering, this film would be it.
Jessica Harper is very pretty as our main lead, and everyone else does fine performances, but I'd dare say that Suspiria is very likely more so remembered for the above mentioned atmosphere, etc than for anything else. It all resembles a hypnotic, beautiful dream and while we sleepwalk through most of the film, the last 12 minutes are sure to wake you up as things go a bit off the rails.
The blood looks like Ketchup, and there is some unintended silliness at times, but Suspiria remains a classic example of visual storytelling and fantastic cinematography (Luciano Tovoli, who desrves a standing ovation).
3.5 STARS
There aren't many twists, turns or surprises in Suspiria (It's fairly easy to predict where it's all going). In fact, I wasn't scared at all. That said, what the film lacks in plot, characters, or scares it more than makes up for in cinematography, lighting, colors (There are constant, bloody reds and some soft, supernatural greens), and atmosphere. If there was ever a film deserving of a 4k remastering, this film would be it.
Jessica Harper is very pretty as our main lead, and everyone else does fine performances, but I'd dare say that Suspiria is very likely more so remembered for the above mentioned atmosphere, etc than for anything else. It all resembles a hypnotic, beautiful dream and while we sleepwalk through most of the film, the last 12 minutes are sure to wake you up as things go a bit off the rails.
The blood looks like Ketchup, and there is some unintended silliness at times, but Suspiria remains a classic example of visual storytelling and fantastic cinematography (Luciano Tovoli, who desrves a standing ovation).
3.5 STARS
Wednesday, September 28, 2016
SMALLS MAKES A NEW FRIEND IN MANNY WITH SWISS ARMY MAN
In Swiss Army Man, Hank (Paul Dano) takes a boat out to sea only to be stranded on a deserted island. After an undetermined amount of time, Hank decides there is no way he's going to be rescued and so makes up his mind to hang himself. Before he can go through with the deed, a body of a man (Daniel Radcliffe) washes up on shore. It isn't long before Hank realizes that the body is gifted with strange powers (among which are powerful farts), and that it may not be quite as dead as it seems (Has Hank started to hallucinate due to lack of food and water, or is something else even more strange and seemingly impossible going on?). Hank names it Manny, and begins to teach him about what it means to be alive. Together, they form a powerful bond and Manny begins to lead Hank back to civilization in his own, strange ways.
Swiss Army Man is the surreal, imaginative version of Cast Away (And Manny could be viewed as this film's version of Wilson). Paul Dano and Daniel Radcliffe are phenomenal here. They work together perfectly and you completely buy their budding bro-mance. The film is filled with odd, surreal, bizarre moments and manages to be quite uplifting most of the time, while still finding time to balance out these moments with bits of sadness and reflection. This may be Radcliffe's best role to date (possibly even surpassing his iconic turn as The Boy Who Lived). Although he plays a dead body with little to no movement, he is absolutely alive and electric here. If you thought it was all downhill after HP for this young, talented actor, Swiss Army Man offers strong evidence that you couldn't be more wrong. Paul Dano does a fantastic job as well as the quirky, odd, might be losing his mind Hank. Despite his possible mania, Hank still manages to come across as quite intelligent and sympathetic. It's easy to root for these two to make it back to civilization (and for Manny to maybe regain his life and humanity)
Swiss Army Man is a film about finding the beauty in life, even in death. It's an inspiring, uplifting film that had me smiling a good deal. The soundtrack (by Andy Hull and Robert McDowell) is also extremely unique, imaginative, and original (You've never really heard anything quite like it). Directed and written by Dan Kwan and Daniel Scheinert (credited simply as Daniels), this is their feature writing/directing debut and it's quite impressive. I have no qualms with saying that these are two dudes we should maybe keep an eye on. Funny, touching, and refreshingly different, Swiss Army Man is a real winner and easily makes it to the top of the best films of 2016 (thus far).
5 STARS
Swiss Army Man is the surreal, imaginative version of Cast Away (And Manny could be viewed as this film's version of Wilson). Paul Dano and Daniel Radcliffe are phenomenal here. They work together perfectly and you completely buy their budding bro-mance. The film is filled with odd, surreal, bizarre moments and manages to be quite uplifting most of the time, while still finding time to balance out these moments with bits of sadness and reflection. This may be Radcliffe's best role to date (possibly even surpassing his iconic turn as The Boy Who Lived). Although he plays a dead body with little to no movement, he is absolutely alive and electric here. If you thought it was all downhill after HP for this young, talented actor, Swiss Army Man offers strong evidence that you couldn't be more wrong. Paul Dano does a fantastic job as well as the quirky, odd, might be losing his mind Hank. Despite his possible mania, Hank still manages to come across as quite intelligent and sympathetic. It's easy to root for these two to make it back to civilization (and for Manny to maybe regain his life and humanity)
Swiss Army Man is a film about finding the beauty in life, even in death. It's an inspiring, uplifting film that had me smiling a good deal. The soundtrack (by Andy Hull and Robert McDowell) is also extremely unique, imaginative, and original (You've never really heard anything quite like it). Directed and written by Dan Kwan and Daniel Scheinert (credited simply as Daniels), this is their feature writing/directing debut and it's quite impressive. I have no qualms with saying that these are two dudes we should maybe keep an eye on. Funny, touching, and refreshingly different, Swiss Army Man is a real winner and easily makes it to the top of the best films of 2016 (thus far).
5 STARS
SMALLS SPOILS THE SHIT OUT OF YOGA HOSERS
In Yoga Hosers, high school sophomores and BFFs Colleen Collette (Lily-Rose Depp) and Colleen McKenzie (Harley Quinn Smith) are clerks working a 7-11-esque store in Canada called the Eh to Zed. In their off time they perform in their own amateur band and enjoy doing faux yoga (with the help of Justin Long as their instructor, Yogi Bayer). When Andronicus Arcane (a hundred + year old Canadian Nazi played by Ralph Garman)) reappears with a dozen miniature minions named Bratzis (Kevin Smith) , it's up to the Colleens and Guy Lapointe (Johnny Depp) to save their fair land and critics everywhere.
Both Lily-Rose Depp and Harley Quinn Smith actually do good jobs here, and Johnny Depp gets more mileage out of his tired Guy LaPointe character than he did in Tusk (He's nowhere near as grating, awful or annoying as he was in the previous film). Yoga Hosers is (surprisingly) a direct sequel to Tusk. We don't see any of the other characters from that film here (though some of the actors from that film are given roles here), but the events from that film are mentioned occasionally. Kevin Smith actually is chuckle-worthy at times as the Bratzis, and Ralph Garman is called upon to do celebrity impersonation after celebrity impersonation (His schtick gets old and grating). Even poor Stan Lee and Kevin Conroy (Batman from the animated series) do quick cameos here.
While it can be funny at times, Yoga Hosers can also be super annoying. A good example would be the Instagram spoof (Called Instacan....get it? Cuz we're in Canada) that keeps rearing it's head every few minutes during the first 30 minutes of the film. It's constant, annoying, is used for lazy exposition, and comes across like Kevin Smith (once again) lacks self control (a running theme in his more recent films). There's also A LOT of fake Canadian accents and the word 'boot keeps popping up (IT'S NOT FUNNY!!! STOP IT!!). The villain's main plan here involves using his Bratzi's to destroy every single critic in the world (or maybe just Canada, it's really not explained all that well) because they shunned earlier art he had made. Yes, it's clear that part of this film is Kevin Smith's attempt at a FUCK YOU to any critic that had looked down at his previous work (Yes, I belong to that group. Fuck you right back Smith). Guy LaPointe even says that the villain's plan isn't so bad because he's not going to be killing real people (Once again, fuck you Smith).
The bottom line is that Yoga Hosers is not a good film. It can be entertaining and funny at times, and our three main leads all do fine jobs, but a good deal of the material is still annoying and just not good. I imagine I'm not going to be quite as harsh on this film as other critics will be. The truth is, despite it's numerous flaws, I still enjoyed my time with Yoga Hosers (I found myself laughing more than I did not). This is more of an ultra-goofy, ultra-silly, ultra-campy comedy than anything else (Imagine Clerks starring phone-obsessed millenials and goofy monsters. It's Clerks, but also definitely isn't Clerks). You aren't supposed to take any of this film seriously, and that is (surprisingly) a plus.
1.5 STARS
I Definitely liked it more than Tusk
Lily-Rose Depp speaks French with her dad for one scene, and my heart went all aflutter. I LOVE the French language (So beautiful!).
Both Lily-Rose Depp and Harley Quinn Smith actually do good jobs here, and Johnny Depp gets more mileage out of his tired Guy LaPointe character than he did in Tusk (He's nowhere near as grating, awful or annoying as he was in the previous film). Yoga Hosers is (surprisingly) a direct sequel to Tusk. We don't see any of the other characters from that film here (though some of the actors from that film are given roles here), but the events from that film are mentioned occasionally. Kevin Smith actually is chuckle-worthy at times as the Bratzis, and Ralph Garman is called upon to do celebrity impersonation after celebrity impersonation (His schtick gets old and grating). Even poor Stan Lee and Kevin Conroy (Batman from the animated series) do quick cameos here.
While it can be funny at times, Yoga Hosers can also be super annoying. A good example would be the Instagram spoof (Called Instacan....get it? Cuz we're in Canada) that keeps rearing it's head every few minutes during the first 30 minutes of the film. It's constant, annoying, is used for lazy exposition, and comes across like Kevin Smith (once again) lacks self control (a running theme in his more recent films). There's also A LOT of fake Canadian accents and the word 'boot keeps popping up (IT'S NOT FUNNY!!! STOP IT!!). The villain's main plan here involves using his Bratzi's to destroy every single critic in the world (or maybe just Canada, it's really not explained all that well) because they shunned earlier art he had made. Yes, it's clear that part of this film is Kevin Smith's attempt at a FUCK YOU to any critic that had looked down at his previous work (Yes, I belong to that group. Fuck you right back Smith). Guy LaPointe even says that the villain's plan isn't so bad because he's not going to be killing real people (Once again, fuck you Smith).
The bottom line is that Yoga Hosers is not a good film. It can be entertaining and funny at times, and our three main leads all do fine jobs, but a good deal of the material is still annoying and just not good. I imagine I'm not going to be quite as harsh on this film as other critics will be. The truth is, despite it's numerous flaws, I still enjoyed my time with Yoga Hosers (I found myself laughing more than I did not). This is more of an ultra-goofy, ultra-silly, ultra-campy comedy than anything else (Imagine Clerks starring phone-obsessed millenials and goofy monsters. It's Clerks, but also definitely isn't Clerks). You aren't supposed to take any of this film seriously, and that is (surprisingly) a plus.
1.5 STARS
I Definitely liked it more than Tusk
Lily-Rose Depp speaks French with her dad for one scene, and my heart went all aflutter. I LOVE the French language (So beautiful!).
Monday, September 26, 2016
FRIGHT FEST: SMALLS TRAVELS TO JERUZALEM
Sarah (Danielle Jadelyn) and her BFF Rachel (Yael Grobglas) decide to take a vacation to Tel Aviv. On the flight there they meet anthropologist wannabe Kevin (Yon Tumarkin), who convinces the girls to go with him to Jerusalem. Things take a turn for the worse when the third gate to hell opens in the city. The three find themselves in a fight for survival as they try to escape while the end of days commences.
First, the positives: Our three main leads are likable enough and actually resemble real human beings. They aren't douchbags or sluts (with the most likable one being Kevin) . It's also an interesting choice to film the whole thing with Google Glass, although the result is the film can feel like an advert for the product at times. I also like that the horror here is steeped in Jewish mythology, which is a different road I commend the film for taking (although not much is really done with this novel idea). Having been to a few destinations outside the U.S, I can say that JeruZalem captures how it feels to be exploring a foreign land. It's also appreciated that Danielle Jadelyn shows us her goods in one brief scene (wasn't expecting that).
Unfortunately, all the good will I had built up for this film just about evaporates during the last 30 minutes where things get stupid fast. Our heroes find themselves battling demon zombies via some bad CGI (and yes, this plague is contagious. *FACEPALM*). While it starts out promising enough, JeruZalem winds up descending into your typical dumb found footage horror film (with a complete lack of scares, tension or suspense and an abundance of shaky cam footage during the last act). If you're curious, I suppose it may be worth a watch but don't expect to remember it after the credits have rolled.
2 STARS
SMALLS' FRIGHT FEST BEGINS WITH X-RAY
In X-Ray, Susan (Barbi Benton) goes to a hospital for a routine check-up. Unfortunately, a psycho killer has targeted her as his main prey. Messing with her X-Rays so it looks like she has a life-threatening disease, Susan finds herself locked up in the hospital. As the bodies start to drop, she must find a way out or die.
All you need to know about this film is that it was made by Golan and Globus, who were the kings of bad films from 1979-1985. Indeed, X-Ray/Hospital Massacre/ Be My Valentine, Or Else/Ward 13 (Holy shit, this film has 4 different titles) is an awful, poorly made film, but in all the best ways. It's completely ridiculous and silly (For crying out loud, the filmmakers decided to dress a guy in a wig and try to pass him off as an elderly woman. Did they not have enough money to hire an elderly lady? Was the guy on set and they figured he could do just as good a job for less money? Seriously, WTF?). Barbi Benton is just about the only actor/actress here that does a decent job. She's amazingly beautiful, and isn't afraid to show us her goods. Honestly, I kind of want to see more of her films now. As for the movie itself, what it lacks in suspense, tension and scares (I knew who the killer was going to be the first time he appeared on screen), it more than makes up for in pure, dumb, silly fun. I'd easily classify this as a great party film. Sit down with a group of your friends, switch it on, and have a ton of fun laughing at it and making fun of it.
1 STAR
FUN FACT: Barbi Benton was more well known for her involvement with Playboy than for her film and TV roles.
All you need to know about this film is that it was made by Golan and Globus, who were the kings of bad films from 1979-1985. Indeed, X-Ray/Hospital Massacre/ Be My Valentine, Or Else/Ward 13 (Holy shit, this film has 4 different titles) is an awful, poorly made film, but in all the best ways. It's completely ridiculous and silly (For crying out loud, the filmmakers decided to dress a guy in a wig and try to pass him off as an elderly woman. Did they not have enough money to hire an elderly lady? Was the guy on set and they figured he could do just as good a job for less money? Seriously, WTF?). Barbi Benton is just about the only actor/actress here that does a decent job. She's amazingly beautiful, and isn't afraid to show us her goods. Honestly, I kind of want to see more of her films now. As for the movie itself, what it lacks in suspense, tension and scares (I knew who the killer was going to be the first time he appeared on screen), it more than makes up for in pure, dumb, silly fun. I'd easily classify this as a great party film. Sit down with a group of your friends, switch it on, and have a ton of fun laughing at it and making fun of it.
1 STAR
FUN FACT: Barbi Benton was more well known for her involvement with Playboy than for her film and TV roles.
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