THE 100 BEST FILMS OF THE DECADE

Before we get into it, let me address a few things first: 1. I did not see every film released last decade. 2. This film is going to be subjective and personal (obviously), some of your favorites might not be on here. 3. The films will not be ranked.

Ok, let's start with some honorable mentions. These are all films that are superb, but didn't make it onto my list. They are still recommended viewing.

Fright Night- Absolutely one of my favorite films of the decade, but not one of the best.

Thor: Ragnarok- The best Thor film, and maybe the most colorful Marvel film as well.

V/H/S- The best found-footage horror anthology. Fun, gonzo, and freaky.

V/H/S 2- A worthy sequel that focuses more on fun than scares.

Better Watch Out- A film about a young toxic male psychopath. 'Nuff said.

Dawn of The Planet of The Apes- The best of the Apes trilogy.

Sing Street- A touching movie about a boy, his band, and his coming-of-age. It's from the man who brought us Once. It's another great non-traditional "musical".

Colossal-A surprising exploration into toxic masculinity that is surprising and fun. Definitely a must-see, especially if you are a fan of Jason Sudeikis.

3 Billboards Outside Ebbing, Missouri-A film that is noteworthy for never going where you think it would. Full of twists, surprises, and fantastic character work.

Drinking Buddies- .A fun, sweet, funny and realistic look at friendship, love and relationships. Definitely one of the best mumble-core films you can see.

Edge of Tomorrow- Don't you love a film where Tom Cruise plays against type, and you get to watch him die again and again and again?!

Dope- An film that posits that being an outcast might just get you a leg up in this world. It's aided by the fact that we follow a young kid who's goal is to resist the more negative aspects of his surroundings, and to get to college. Refreshing and ton of fun.

End of The Tour- A fascinating look at David Foster Wallace. It does it's subject justice.

Upgrade-The Venom film we deserve. A man, crippled after a devastating attack that left his wife dead, agrees to have an experimental A.I. inserted into him that allows him to walk again. With the assistance of the A.I., he tries to get revenge on his attackers. Brutal, awesome fun.

Generation Wealth- A documentary about wealth in America, and it's influence on culture. Would have made it onto the list, but the director gets a little too caught up in her own life story at times, and this detracts from the focus of the film.

Under The Silver Lake- David Robert Mitchell's follow-up to It Follows isn't exactly a home-run, but it is immensely watchable and entertaining. Andrew Garfield is great as a regular guy who is obsessed with the idea that everything is connected. He becomes ensnared in a mystery when his cute neighbor mysteriously disappears. Worth a watch.

The Lost City of Z- An all around fantastic film based on a true story. The parts that continue to stick with me are the exploration scenes, and the first scene of the film that transports us to the Amazon in a unique, effective way.

Hustlers- Based on an insane true story. The film manages to be equal parts fun and melancholy. When some strippers fall on hard times during the 2008 economic crash, they take to drugging wall street bankers who frequent their club and robbing them blind.

Hereditary- A very scary, disturbing film about a crumbling family. The big reason this didn't make it onto the list is, even after repeat viewings, I'm still decidedly NOT a fan of the ending.

Parasite- An exquisitely made film about class relations in South Korea. The film throws so much at you that it's just about impossible to digest everything in one watch, making repeat viewings just about a guarantee.

Now, onto THE LIST.


The Lighthouse- This just might be the most bat-shit film of the whole decade. Robert Pattinson and Willem Dafoe play off of each other nicely, and it does a good job of continually ratcheting up the insanity. Immensely watchable and lots of fun.

Good Time- An intense, tension-filled roller coaster ride of a  film. One of Robert Pattinson's best performances as a low-life who's one redeeming quality is his commitment to his mentally handicapped brother. We follow him through a hectic night where things never go according to plan as he desperately tries to get enough dough to bail his bro out of jail.

West of Memphis- An angry, bitter documentary about justice and the flawed legal system. It will definitely stay with you.

Liberal Arts-A bittersweet look at life in college and life after college. Simply fantastic and nicely nuanced.

Nightcrawler- A film about the cutthroat news business, and how one sociopath uses his lack of morals and ethics to climb up that ladder. Jake Gyllenhall's best performance to date. Scary and mesmerizing. One of the defining films of the last decade.

Ex Machina- A fable about our relationship with A.I. and the dangers this new technology cold pose. It's also about how we're all kind of dicks. Great film, and one of the defining ones of the last decade.

Blade Runner 2049- One of the rare sequels that doesn't disappoint, especially considering it was made 35 years after the original. A gorgeous. haunting sequel that further explores themes of isolation, humanity and love. It's the sequel you never knew you wanted or needed, and is one of the defining films of the last decade.

Dredd- One of the best remakes/reboots ever made. Thrilling, fun, violent, creative, and ultimately more faithful to its comic origins. Karl Urban puts on a memorable performance as Judge Dredd, and the whole film is set in one claustrophobic setting. While the similarities to The Raid (which was released the same year) are indeed odd, they are likely nothing more than coincidence. Dredd easily emerges as one of the most kick-ass and memorable action films of the 2010s.

1917- The amount of work and pre-planing that went into making this film is staggering. The sets are exquisite, expansive and intricate and it's all done like it's in one continuous shot. It's one of those films where you don't realize how tense you were until it ends and you are given permission to breathe and relax. You will leave feeling exhausted and shell-shocked.

Sorry To Bother You- A hilarious, clever,  and ingeniously made film about telemarketing, Capitalism, and Black struggles. The last third will absolutely have you saying: I don't remember taking drugs, but I must have because they are definitely kicking in. Lakeith Stanfield, Patton Oswalt, David Cross, and Armie Hammer are all fantastic. Tessa Thompson puts on her best performance yet.

Blindspotting- A film about how we all have "blind spots" and how they affect us.  The rapping is phenomenal, and its messages are absolutely worth hearing. It's a serious film that is trying to say some serious things (about black and white relations, gun issues, and gentrification).

Selma-A touching, sincere film about Martin Luther King Jr. and his Selma march.

Booksmart- Superbad 2.0, but funnier, more genuine, and more sincere. The supporting cast, as well as our two leads, are superb. Absolutely one of the defining films of the last decade.

We Need To Talk About Kevin- A horror film about becoming a parent. The first 30-40 minutes are little bumpy, but once the film settles in, it gets better.

Uncut Gems- Boasting Adam Sandler's best performance of his career, Uncut Gems takes movie-goers on a tense, anxiety filled, memorable thrill ride that easily emerges as one of the defining films of the last decade.

American Animals- A film about a group of college friends who attempt to pull off a heist of a pricey book. Things don't go exactly as planned. It's fun, sobering, sad, and based on a true story.

The Joker- A brutal, dark, disturbing film that isn't just a superhero/super villain film. It's got messages about how society and the medical health system fail the downtrodden and mentally unwell. Scary and thrilling.

Fences-A true Broadway experience for film fans. It certainly does drag a good deal near the end, but I'll be damned if I didn't cry numerous times during it. Touching, heartfelt, and sincere.

Paterson- It's about time we got a film celebrating the simple joys of being alive and happy.

Compliance- A damning film about humanity, and how susceptible we are to perceived authority. Not only will it have you asking when you would have done something about the situation in the film, it will also leave you hating yourself.

The Descendants- A tender, bittersweet film about fatherhood, love, loss, grief, infidelity and family.

Dunkirk- A super-tense thrill ride that had me on the edge of my seat the entire film. What's more surprising, it proves that PG-13 war films can not only be effective, they can be great too!

I Saw The Devil- A film about the haunting toll revenge can have on the person dishing it out.

Toy Story 3- A satisfying, tear-jerking end to a trilogy millions grew up with. One of the defining films of the last decade.

Tangled- One of the best Disney animated fairy-tale musicals. The songs aren't great, but the story and characters are fantastic and memorable. For my money, it's superior to Frozen.

Silence- A haunting film about religion and faith. Heart-wrenching and deeply disturbing, Scorcese has crafted yet another masterpiece.

Knives Out- A murder mystery who-dun-it that is at it's heart about the immigrant issue in America. Brilliant, funny, and heartfelt with a superb script, Rian Johnson continues to prove that he is one of the best directors working today.

Skyfall- One of the absolute best Bond films with some of the best cinematography found in a Bond film.

Chronicle- A found-footage super-villain origin story. It handles our teen protagonists thoughtfully, with each one (even the villain) emerging as likable and sympathetic. Clearly influenced by Akira, Chronicle is thrilling, emotional and memorable.

Love, Antosha- A heart-breaking, intimate love letter to one of the most talented actors of our generation, Anton Yelchin. One of the defining films of the last decade.

Eighth Grade- Bo Burnham's directorial debut is very funny, very thpughtful, and very sad with just enough hope thrown in so as not to drag the viewer down completely. A realistic look at life in 8th Grade, and the frustrating social dynamics of middle and high school.

Evil Dead- An explosive, fun, gory film that perfectly captures the tone and style of the original. One of the best updates/reboots you can see and one of the defining films of the last decade.

Moonlight- A film about manhood and growing up Gay and black in South Florida. One of the defining films of the last decade.

The Witch-A terrifying, Godless horror film about religion, faith, and family.

Sicario- An unrelentingly tense and suspenseful film about the morally grey areas of the DEA and their war on drug cartels.

Inside Out- Heartfelt, tear-jerking, sad, but with lots of hope. About the coming of age of a young girl and her out-of-control emotions.

Mad Max: Fury Road- Essentially one big, long chase film. The cinematography is gorgeous, the world it's set in is incredibly imaginative, the action scenes are insane and memorable, and our heroes are fantastic. A return to form for George Miller. Where is our sequel?! Definitely one of the definig films of the last decade.

Force Majeur- A bleak, funny tale about a family falling apart after a contained avalanche that leaves the father momentarily abandoning his family to save himself. Yeah, it's dark.

Blue Is The Warmest Color- A LGBTQ+ coming of age tale about two French lovers that essentially mature together.

Still Alice- A gut-wrenching, hard to watch, realistic and devastating look at Alzheimers. Julianne Moore continues to prove that she is one of the best actors working today.

12 Years A Slave- A realistic and frightening film about slavery. Hard to watch due to how graphic, violent and intense it is, but is still absolutely required viewing.

Every Day- A teen romantic film that follows a soul that is doomed to wake up as a different person every day (Some days as a male, others as a female). Beautiful, touching with some pertinent themes about identity and love. One of the absolute best and most unique teen films out there.

Us-Jordan Peele's follow-up to his gangbusters feature film is another social commentary on the duality of human nature. The cast is all superb, playing characters and their doubles (especially Luptia Nyong'o, who is just all kinds of terrifying). This is Peele's freaky Twilight Zone movie.

A Star Is Born- Another decade defining remake of the classic tale. Sad, heart-breaking, but hopeful. Bradley Cooper and Lady Gaga (who can actually act, who knew?!) make for one helluva power couple in this film about love, fame, and addiction.

Infinity War- The beginning of the end for the Infinity saga. Bold and exciting, the film ends on one hell of a cliffhanger that audiences had to wait for a full year to be resolved. A two-hour forty-five minute film that whizzes by with an infectious energy. Just fantastic, and one of the defining films of the last decade.

Great Gatsby- Baz Luhrmann makes a re-telling of the classic tale that is indulgent, fun, and mostly faithful with some unforgettable stylistic elements throw in for good measure. Leonardo Dicaprio is perfection as Gatsby, and Toby Maguire puts on one of his career best performances as Nick. Easily Luhrmann's best film to date, and is one of the defining films of the last decade.

Harry Potter and The Deathly Hallows Part 2- The explosive final chapter to the Star Wars of our generation. The final Harry Potter film is thrilling, exciting, tense, emotional, chock full of action, and the best one in the franchise. It's absolutely one of the defining films of the last decade.

Enter The Void- A trippy, hallucinogenic film about reincarnation. Explicit, sexual, graphic and long, Gaspar Noe still creates an affecting, different, memorable film about love, family, and the enduring bond between siblings.

The Last Jedi- One of the defining, and most divisive films of the last decade. It refuses to coddle and placate fans, instead taking the franchise in bold new directions. The answers it gives are challenging and not what yo would expect. Luke, Rey, and Kylo are all advanced in surprising and satisfying ways. The film also acts as a twist on the hero's journey. Simply fantastic, I predict as the years go on more and more will come to see The Last Jedi as a true classic.

Looper- A masterpiece from master director Rian Johnson. A time-travel epic that involves very little time travel (This isn't a bad thing). Joseph Gordon Levitt is magnetic as our star, and Bruce Willis puts on one of his best performances in recent years. A film about the destructive cycle of violence. One of the defining films of the last decade.

Limitless- If given the chance, would you take a pill that made you the ultimate version of yourself? This is the enticing question that Limitless raises. The first movie to prove that Bradley Cooper is so much more than Phil from The Hangover. The cinematography is thrillingly dizzying a good deal of the time, and the story is incredibly interesting. Is the pill worth it? I say yes, but you'll have to watch and find out for yourself.

The Raid: Redemption- The best action film of the past decade, as well as one of the defining ones as well. Set in one location, with the actors all doing their own stunts, The Raid is an explosive, tense, bloody, ultra-violent foreign language action film that will leave you cheering.

The Raid 2- More incredibly action scenes and stunt/fight choreography. The story is quite complex, and not quite as good but it's still a worthy follow-up.

The Lego Movie- So much more than just an advertisement for Lego. The film is colorful, creative, fun, original, and has some fantastic messages about family, who is special, what it means/what it takes to be special, and the myth of 'The Chosen One'. It also hosts one of the best third act twists in recent memory.

The Night Before-One of the absolute best Christmas party films. At its heart, it's really about friendship. It's touching, insane, hilarious, fun, and memorable. The cast are all superb as well.

Rogue One- One of the best Star Wars films PERIOD! A film that takes us back to the world of the original trilogy in an exciting, thrilling way. It's quite dark, and deals with quite a bit of morally grey areas, as well as being a full-fledged war movie. Incredibly satisfying, with one helluva third act.

Fantastic Beasts and Where To Find Them- The first film penned entirely by J.K. Rowling, and it is indeed quite magical (and pretty dark). It's got quite a few timely messages within. It's nice to get a Hufflepuff as our lead, and Newt is such a likable, nice guy. Fantastic Beasts is also likely the most wintry any of the Harry Potter films have felt. Fantastic Beasts started the new franchise off on a nice foot (that the sequel immediately ruined).

John Wick Chapter 2- far superior to the first John Wick. Very artsy with visually stunning cinematography, thrilling action scenes and stunt/fight work, and some deeper messages and themes about consequences and the destructive need for vengeance. Keanu Reeves does most of his own stunts and fights, and has really turned over a new leaf.

John Wick Chapter 3: Parabellum- Just about as great as John Wick 2. It's focused more on humor, but the fights are still superb, memorable, and impressive. Another welcome installment to the John Wick franchise.

Blue Valentine- A heart-breaking, painful film about love, marriage, family, sacrifice, and divorce. One of the best anti-Hollywood films you can see, and one of the defining films of the last decade.

The Wolf of Wall Street- Scorcese crafts a scathing condemnation of wealth, excess, and greed. It's also hilarious, fun, and boasts career-best performances from Margot Robbie (who was skyrocketed to stardom thanks to this film), Jonah Hill, and Leonardo Dicaprio. One of the defining films of the last decade

Call Me By Your Name- A film about the coming-of-age of a LGBTQ+ teen. Timothee Chalamet as our lead is perfect and sexy, and Armie Hammer is fantastic as his older love interest. The film  is filled with a hidden pain and longing. One of the defining films of the last decade.

The Social Network- David Fincher directs this timely film about Mark Zuckerberg and the creation of Facebook. It does not paint Zuckerberg in a kind light, but most of what it has to say about him and Facebook is likely true. While Facebook has certainly fallen out of favor with many, this is still an important film and one of the defining ones of the last decade.

Boyhood- A film about growing up, childhood, nostalgia, and the moments that make us. Filmed over 12 years with the same actors, Boyhood really is quite an impressive achievement, and is easily one of the defining films of the last decade..

The Lobster- A film about love and relationships set in a dark, dystopian future. Equal parts hilarious and serious, this is the film that solidified Yorgos Lanthimos as a director you don't want to mess with.

The Killing Of A Sacred Deer- Another freaky, bizarre, serious, and hilarious Yorgos Lanthimos film. This one is pure karmic horror at its finest. The actors are all superb, and it's surprising just how uncomfortable the film is at times. In my eyes, his best film to date.

Assassination Nation- An angry, fun, dark, and disturbing film about hypocrisy, privacy (or the lack thereof), and the judge-y attitudes of society. It makes a strong case for tearing the whole system down and starting over. Assassination Nation plays like The Purge meets Spring Breakers, and it's terrifying and liberating at the same time. A challenging, exhilarating film.

Spring Breakers- One of the defining films of the last decade. Trippy, colorful, sexy, disturbing, dark, uncomfortable, and completely insane. The film is a commentary on Generation Y and youth in general, and it finds some interesting things to say.

The Guest- A fun, violent thrill ride with one of the coolest antagonists in film. Dan Stevens is downright magnetic and immensely likable despite being a psychopath, and the mystery surrounding his character is never fully explained (not that it needs to be). Absolutely a must see, and one of the defining films of the last decade.

Purge: Anarchy- While The Purge was disappointing, this sequel was what turned the franchise into a cultural phenomenon. It boasted a bad-ass and cool protagonist in the form of  Frank Grillo's Leo Barnes, and the overall anarchistic vibe the film has is infectious. That said, it's not all mindless violence, as Purge: Anarchy explores themes about social inequality, a corrupt Govt. that goes out of the way to squash the poor and unprivileged, and people's worst violent impulses. A fascinating, fun, film that might be one of the last great Grindhouse movies. Absolutely one of the defining films of the last decade.

Purge: Election Year- A film that feels incredibly of-the-now. This time, the movie focuses even more on the corrupt Govt. that is ruled by a religious faction (clearly meant to represent the Republican party). Dealing with themes about Govt. corruption, the dominance of religion, political parties, and (once again) social inequality, Purge: Election Year is yet another strong, memorable outing from The Purge franchise.

Piranha 3D- A bloody, violent, nudity-filled, mindless movie that is tons of fun and is filled with references to classic films like Jaws and Back To The Future. One of the most guilt-free, enjoyable times you can have watching a horror flick. Needless to say, it's one of the defining films of the last decade.

Her- A parable about technology, isolation/alienation, love, and the need for connection. Surprisingly tender, heartfelt, sincere and not at all goofy or silly. This film about the relationship between a man and his A.I. is easily one of the best, most poignant films of the last decade.

Spider-Man: Into The Spider-verse- A animated Superhero film about the need for diversity. It's got a killer score, soundtrack and characters. It helps that it also just might be the best Spider-Man film to date.

Baby Driver- One of Edgar Wright's best films, and one of the defining films of the last decade.. A love letter to music, IPod, and fast cars. The film that made Ansel Elgort cool, and created a cultural icon in baby.

Scott Pilgrim Vs. The World- Michael Cera's best performance to date. He fits the role of Scott Pilgrim like a glove, and plays a character that is a selfish, self-centered asshole that has to make peace with the darker aspects of himself while struggling to come to terms with his new girlfriend's past and previous relationships. A thrilling, fun, energetic romp.

Get Out- Jordan Peele's directorial debut about the many fears that the African-American community has that Caucasian folks never even think about. It's scary and hilarious, and evenly balanced between the two. Only gets better with repeat viewings, and is absolutely one of the defining films of the last decade.

Room- The film that introduced audiences to rising star Jacob Tremblay. In it, we get to follow a young mother and her son who escape from captivity. While the mom (played by Brie Larson) has to deal with intense depression, her son gets to experience the joy and wonder of a world he never knew existed. It's all told from Tremblay's POV, and he is truly incredible here. A hopeful, optimistic, and realistic film.

Shutter Island- A paranoid, tense, suspenseful thriller that only gets better with repeat viewings. Leonardo Dicaprio, Mark Ruffalo, Ben Kingsley, Max Von Sydow, and Jackie Earle Haley are all superb. Yet another masterpiece from Martin Scorcese.

Insidious- One of the few PG-13, jump scare heavy horror films that really works and is quite terrifying. Our leads are all likable, and the film is creepy and atmospheric. It turned Lin Shae into a horror star, and Tip Toe Through The Tulips into a horror anthem.

A Cure For Wellness- This is the kind of film that gives one hope in the studio system. It's batshit, crazy, gross, disturbing, weird, and completely gonzo. To think a big studio made this and it got a wide release is thrilling and liberating. Dane DeHaan and Mia Goth are great, with DeHaan bringing a humanity and likability to his scummy yuppie character. It's also lots of fun to see him never quite come out on top. The mystery is somewhat predictable, characters  make dumb decisions to lengthen the run time, and "The Cure" isn't satisfactorily explained at the end but this film is still to be commended for just how ballsy and insane it was.

Project X- An indulgently abhorrent film. The beginning and ending aren't great, but that neighborhood destroying party at the end is easily the most crazy party ever put on film.

Gone Girl- Ben Affleck's best role to date. He plays a believable, sympathetic human douche. The film has a killer twist, and quite a memorable ending. Easily one of David Fincher's best films.

Drive- Ryan Gosling at his most intense and scary. It's a moody, neon noir about a stunt driver who finds himself in deep doo-doo when he tries to save his crush and her son. The soundtrack is mesmerizing, and the whole film is atmospheric ans haunting as hell. Absolutely one of the defining films of the last decade.

Arrival- A film about a friendly alien invasion and the nature of time. Deeply touching and poignant, and makes the case that the bad times might be worth it in the end for the nuggets of good memories they hold. I know it always inspired me to go out and embrace the painful and bad, knowing that it's always going to be worth it in the end.

Logan- Maybe the most mature and heartbreaking superhero film. It's absolutely a hard R. The action is brutal and bloody, but its messages are nuanced, deeply sad, and touching. Don't be surprised if you shed tears at the end. One of the defining films of the last decade.

Deadpool- The Deadpool film everyone was demanding. It stayed true to the character, was a hard R, hilarious and featured tons of fourth-wall breaking moments. It showed that an R rated superhero film could still bring in te big bucks, and get studios re-thinking their business model. One of the defining films of the last decade.

It Follows- A horror film about a group of friends trying to escape encroaching adulthood, as well as freaky supernatural STDs. Filmed in a similar style to horror-master John Carpenter, with a superb score ad some disturbing images...It Follows is easily one of the best horror films of the last decade, and one of the defining ones as well.

Cabin In The Woods-  One of the defining films of the last decade. An intelligent horror film that demands better, more creative horror films. It advocates for tearing the whole system down, critiques the numerous cliches of the horror genre, and makes the stoner the hero in the end. Plus, the last act is all kinds of awesome, brutal, bloody fun. It proves that a horror film doesn't need to be scary to be great, and is likely the best horror film of the last decade.

Guardians Of The Galaxy- An unapologetic-ally awesome film about a group of broken losers banding together to save the galaxy. It also had an awesome soundtrack and skyrocketed Chris Pratt into super-stardom. One of the defining films of the last decade.

The Avengers- A film that changed everything. Up until this point, we had never gotten a film with numerous fan-favorite heroes teaming up and interacting. It changed the face of superhero cinema forever, and is one of the defining films of the last decade.

Captain America: The Winter Soldier- One of the defining films of the last decade.A super-hero film that has bigger things on its mind than just mindless action. Fantastic, thrilling action scenes and intelligent commentary. The best Captain America film and one of the best Marvel films.

Avengers: Endgame- This is it, this is what 11 years of Marvel films have been leading to...and GOD DAMN does it not disappoint. Thrilling, sad, funny, and altogether immensely satisfying. One of the defining films of the last decade.

Midsommar- The film I talked about the most in 2019, and I still can't stop thinking about it today. The slow, lazy pace is done to immerse us in its world, place us in our protagonists shoes, and to lull us into a false sense of security. It's dressed in Wicker Man trappings, but Wicker Man this is not. Instead, it's about the horrors of being stuck in a bad relationship, the immense toll grief can have on a person (and their thought processes), and the horrors of being stuck in a foreign culture.  Los of interesting, nuanced, rich themes and ideas and that final scene is still all kinds of fucked-up, awesome, cathartic, and disturbing. For my money, it's far superior to Hereditary and is close to being a masterpiece.

Marriage Story- A gut-wrenching, sad, but surprisingly sweet film about a family trying to keep things friendly while getting divorced. Adam Driver puts on his best performance yet.

Furious 7- A film that refuses to obey the laws of physics, and I LOVE it! Hilarious, thrilling and fun! The best in the Fast and Furious franchise.

Green Room- A devastating, cynical, brutal film about a group of kids who witness something terrible. When they try to do the right thing, they are all punished severely for it and suffer. Inogen Poots and the late Anton Yelchin are phenomenal as our leads, and Patrick Stewart is memorable as a reluctant but scary neo-Nazi leader. One of the defining films of the last decade.

Straight Outta Compton-Just might be the ultimate real-life underdog story, with superb performances from it's entire cast. One of the defining films of the last decade.

Black Panther- The live-action remake of The Lion King we deserved. 'Nuff Said! One of the defining films of the last decade.

Snowpiercer-A dystopian sci-fi film about class relations and the gap between the haves and have-nots. Did I mention it's all set on an elaborate, futuristic train and Chris Evans is our lead? In my eyes, this is Bong Joon Ho's best film (though I still need to see The Host).


And there you have it! The 100 Best Films of the decade. Here's hoping that this next ten years is even better than the last!